Scripts & Cursives (2)

Carl Shank • July 31, 2026

In typographic terminology, script refers to a class of typefaces designed to emulate handwriting or calligraphy, regardless of whether letters are connected. Cursive, by contrast, refers to a style of handwriting characterized by connected, flowing letterforms developed for efficient writing. Consequently, cursive writing is one important source of script typefaces, but script typography also includes many designs that are not truly cursive.


While a script typeface may connect every letter, or only certain combinations, or even none at all, cursive faces are characterized by connected letters. Thus, English Roundhand, Spencerian writing, the Palmer method, and modern school writing are all cursives. Cursive writing evolved because ancient scribes needed to write quickly.


Roman cursive (or Latin cursive) is a form of handwriting (or script) used in ancient Rome and to some extent into the Middle Ages. It is divided into old (or ancient) cursive, and new cursive. [The following text is adapted from Wikipedia and Luc Devroye.org)


Old Roman cursive, also called majuscule cursive and capitalis cursive, was the everyday form of handwriting used for writing letters, by merchants writing business accounts, by schoolchildren learning the Latin alphabet, and even by emperors issuing commands. A more formal style of writing was based on Roman square capitals, but cursive was used for quicker, informal writing. It was most commonly used from about the 1st century BC to the 3rd century AD. Old Roman cursive is very difficult to read for people today. 


New Roman cursive, also called minuscule cursive or later Roman cursive, developed from old Roman cursive. It was used from approximately the 3rd century to the 7th century, and uses letter forms that are more recognizable. This evolved into the medieval script known as Carolingian minuscule, which was used in nineth century France and Germany in the imperial chancery, and whose revival in the Renaissance forms the basis of our modern lowercase letters. 


Developed from Wikipedia

https://luc.devroye.org/fonts-66269.html

Secretary hand was a form of cursive in the 14th–17th centuries. It had an angular appearance with numerous loops and flourishes and highly abbreviated. It was used for efficiency in legal and governmental writing for, example, court records, will, and land deeds.


William Shakespeare frequently wrote in Secretary Hand. This typeface dominated English administration before italic handwriting replaced it.


Running hand cursives populated the 17th–19th centuries. They offered flowing, connected writing, were faster than formal round hand, had moderate slant, and few pen lifts.


Examples included personal letters, merchant account books, business correspondence, and

educational copybooks.


This was the everyday handwriting of Britain and America and offered a transitional style leading toward nineteenth-century business penmanship.


Spencerian script (1840–1925) is a handwriting script  style based on copperplate script that was used in the United States from approximately 1850 to 1925 and was considered the American de facto standard writing style for business correspondence prior to the widespread adoption of the typewriter. The Coca-Cola Company logo was inspired by Spencerian penmanship.


Spencerian script, a form of cursive handwriting, was also widely integrated into the school system as an instructional method until the "simpler" Palmer Method  replaced it. President James A. Garfield called the Spencerian script "the pride of our country and the model of our schools." Spencer, inspired by the forms that he saw of smooth pebbles in a stream, aimed to create a graceful script to resemble those shapes. While likely originally writing and developing the script with a quill pen, Spencerian script's evolution is tied to the availability and development of higher-quality steel pens. (wikipedia)


The Palmer Method of penmanship (1890–1950s) instruction was developed and promoted by Austin Palmer  in the late 19th and early 20th centuries. It was intended to simplify the earlier Spencerian method, which had been the main handwriting learning method since the 1840s.


The Palmer Method soon became the most popular handwriting system in the United States. Palmer's method involved "muscle motion" in which the more proximal muscles of the arm were used for movement, rather than allowing the fingers to move in writing. In spite of opposition from the major publishers, this textbook enjoyed great success: in 1912, one million copies were sold throughout the United States. 


Under the method, students were taught to adopt a uniform system of cursive writing with rhythmic elliptical motions. (wikipedia)


Successful Layout & Design

By Carl Shank September 9, 2026
Typeface characteristics are the visual and structural features that distinguish one typeface from another. They determine a typeface’s historical appearance, readability, personality, and appropriate use. Useful Ways to Analyze Any Typeface. When examining an unfamiliar typeface, ask these questions in order (provided by ChatGPT) — Does it have serifs? What kind of serifs? How much thick/thin contrast is present? What is the stress angle? What is the x-height? How wide or narrow are the letters? How are the counters constructed? What do the terminals look like? What are distinctive letters such as a, g, e, R, and Q doing? How does the typeface behave in a paragraph—open, dark, dense, airy, mechanical, or calligraphic? What historical or technological process does its construction suggest? What personality does the combination of these characteristics produce? There are a number of online sources to help identify typefaces ( See Feb. 6, 2022 Blog for more explanation and use.) Sources include — MyFonts ( www.myfonts.com/WhatTheFont ), FontSquirrel ( www.fontsquirrel.com/matcherator ) WhtFontIs ( www.whatfontis.com ) Identifont ( www.identifont.com ) is one of the best. Here are the questions it will ask you — Does it have feet (serifs) or not (sans-serifs)? What style is the tail on uppercase Q? What style is the ampersand (the &)? Is the numeral “4” open or closed? What style of vertical line does the Dollar sign ($) have? How high is the center vertex of the uppercase M? Sit on the line or not? What type of bar does the uppercase G have? How far below the baseline does the uppercase J extend? What about the uppercase R? How far does the center bar extend? Is there a gap with the vertical part of the letter? Does it meet or cross the vertical? What about the question mark (?) What shape is the dot at the bottom? Is it circular, square, triangular, rectangular or even missing? The important point is that a typeface should not be identified by a single characteristic. Its identity comes from the interaction of serifs, contrast, stress, proportions, counters, terminals, spacing, and letterform construction.
By Carl Shank September 5, 2026
Google’s variable font selection includes IBM Plex Sans, Inter, Newsreader, Open Sans, Playfair Display, Express Fraunces and Roboto. FF Meta Variable is now a licensed font from Monotype (myFonts.com). Formata Variable is a demonstration only font from CARE Typography. We consider two Google Variable typefaces here — Playfair Display and Express Fraunces. Playfair Display Playfair Display is a high-contrast transitional/display serif typeface designed by Claus Eggers Sørensen and released through Google Fonts in 2011. It was designed primarily for large display sizes, especially headlines, titles, and editorial typography. Its appearance draws inspiration from the late eighteenth-century transition from traditional broad-nib writing toward pointed steel pens, as well as from the elegant typefaces associated with the European Enlightenment and neoclassical period. Playfair Display is a contemporary high-contrast serif designed primarily for display typography. Its visual ancestry lies in the 18th-century transitional period, particularly the movement from broad-nib calligraphic forms toward the sharper, more vertical forms that ultimately produced Didot and Bodoni.
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