Install Tricks for Double Drives Mac Mini
Carl Shank • January 19, 2024
Install Tricks for Double Drives on a Mac Mini. This Blog references upgrading Mac Mini 2011 to Late 2012 with double drives. If you want a video installation of the drives go to OWC at https://eshop.macsales.com/installvideos/mac_mini2012_server_hd/Macmini6-1-nonserver/
OR iFixit at
https://www.youtube.com/watch?v=2NORZR0BbZs.
Both installation videos are complete and helpful for the first-timer. But as a Mac Mini user (I have 4 of them with different operating systems), I have found the following procedure helpful and non-detrimental to the delicate ribbon cables inside the Mini. (I have learned through harsh experience how to inadvertently snap off the delicate fan or IR holder on the mother board. And buying an older machine, say on Ebay, can get you a machine with inside fragile parts that tend to snap off when using the video based installation procedures.) So, here you go.
- Turn the Mini over and carefully remove the back cover by sliding the white dot on the cover to the white dot on the machine.
- Remove the memory chips.
- Using a Torx T6 screwdriver remove the fan screws. DO NOT REMOVE THE FAN CONNECTOR FROM THE MOTHER BOARD! Just move it to one side.
- Remove the cowling using the T6 screwdriver.
- Using a Torx T8 screwdriver remove the hex screws holding the airport metal screen over the drive. DO NOT remove the cable attaching the airport cable to the machine. Set that to one side.
- Lift the SATA connectors on the logic board straight up gently.
- You should then be able to carefully lift out the hard drive from the Mini. If it seems too tight, then you need to move the logic board back only slightly by taking the screw out from the back of the logic board and then using a Mini pry tool move the logic board back just a bit from where the drives are. (Go to the videos here for this procedure. If you use this procedure then before the next steps you will need to push the logic board back in place after the drives are seated and put the back screw into the logic board.)
- Attach the lower drive SATA cable (SEE NOTES below) to the drive that will be the lower drive and gently push it into the generous space, being careful not to impact the fan cable or IR cable or power cable on the logic board. This can be done with a gentle hand and no need to fully remove the logic board and other components as in the video instructions.
- Attach the SATA cable to the upper drive you are using and gently place that drive into the upper drive slot.
- Attach the SATA cables to the two places on the logic board.
- Attach the airport metal screen being careful not to inadvertently unattach the SATA cables from the logic board.
- Attach the cowling.
- Screw the Fan back into its place.
- Place the memory back into the Mini.
- Put the back cover on by aligning the white dots and twisting the cover until it snaps into place.
Unless you are constantly moving the Mini, this procedure will save you from either ruining the fan cable or logic board fan cable holder. You will not have to essentially take the Mini apart, put it back together, and hope that all goes well.
I have used this procedure many times and have found it to be an acceptable alternative to the traditional video procedures. If you have any questions please email me at cshanktype@gmail.com.
NOTES:
• If using a Mac OS 10.8.x see https://eshop.macsales.com/blog/15619-special-note-for-adding-an-ssd-to-a-2012-mac-mini/#comment-61641 for necessary cautions.
• SSDs are recommended to replace older hard drives. OWC has a number of options here at macsales.com.
• You still need a Data Double kit for the SATA cables required.
Successful Layout & Design
Theology of Type . What does typography have to do with theology? Actually, quite a lot. It is significant that early typography had strong religious roots, especially Christian European roots. Many of these typographers and printers believed and lived from a worldview filled with the Divine. The history of typography operates out of a viewpoint of creativity that goes back to an overriding faith in God. Early Printers' Marks reveal a strong Christian theological stance. Printers’ Marks are symbols or logos that have been used as trademarks by early printers, starting in the fifteenth century. Before the introduction of copyrights, printers’ marks legitimized a printer’s work. Copyright legislation would not be introduced until the eighteenth century. Such marks usually appeared on the last page of a printed work. The first known mark can be found on the Mainz Psalter, produced by Johann Fust and Peter Schoeffer in 1457. This mark depicted two shields bearing a saltire, a diagonal cross and a chevron surrounded by three stars. At the outset these were marks of the printer, but the practice was gradually adopted by publishers. In early works a statement at the end listed the date of completion and the location. Sometimes the name of the printer or scribe or their initials were included. In printing and typography this is called a colophon, derived from the Greek word κολοφών, meaning summit, or finishing touch. The printer’s mark was added and gradually moved to the title page of the book. The earliest marks were simple designs produced by using a woodcut stamp. Maggie Patton in her excellent introduction to printers’ marks notes that “the design of a printer’s mark used visual puns, wordplay or sometimes a rebus, a puzzle combining illustrations and letters to depict a motto or printer’s initials. Sacred symbols, the cross and the orb, real and mythical animals, heraldic symbols, and scientific instruments were used in thousands of combinations. The sixteenth century was the highpoint for printers’ marks, when lavish illustrations incorporating a printer’s mark decorated title pages. Many famous images and symbols originate from printers’ marks. The design used by Venetian printer Aldus Manutius depicts a dolphin wrapped around an anchor. The printer’s mark used by French printer Robert Estienne shows a man standing by an olive tree, symbolising the tree of knowledge. Christophe Plantin, in Antwerp, used a pair of compasses held by a hand extending from a bank of clouds, the compass points signifying labour and constancy.” [1]
Calligraphy & Typography. Calligraphy, the art of beautiful handwriting, has a long and rich history that spans cultures, religions, and centuries. It developed not only as a means of communication but also as a form of artistic expression, religious devotion, and cultural preservation. While typography is not calligraphy, with much of type carefully structured, straight-backed and neatly drawn and focused on lettering for printing readability, both art forms involve visual expression of language. Both focus on the shape, proportion and beauty of letters. Both reflect religious, historical and cultural influences on writing styles. Both are used for artistic and decorative purposes in design, and much of type has been greatly influenced by calligraphic styles. Yet, they differ significantly in their methods, purposes and tools. Calligraphy is the art of hand drawn, beautiful writing, while typography focuses on the design and arrangement of type letters for print or digital use. Calligraphy is created manually with pens, brushes, or quills, while type is created digitally or mechanically using typefaces. Traditional tools used in calligraphy include dip pens, brushes and ink, while type is formed with digital or physical lettering. Calligraphy is highly expressive and free flowing, while type is usually uniform and consistent across all characters. Calligraphy is usually done for decorative and personal use, while typography is often constructed and used for mass communication in books, websites and signage. Mediums for calligraphy include paper, parchment, walls, while typography focuses on print and digital media. Yet, the roots of much of type comes from the wealth of history and styling offered by calligraphy. CARE Typography has been able with Font Lab's tools like Fontographer, to translate fine calligraphy into usable typefaces, even for the modern market tastes. The fine art of calligraphy is highlighted in the background to this post in the 2018 calligraphic rendering of the Scripture, "Well done, good and faithful servant" (Matthew 25:25a) by Calligraphy for Christ ( https://www.calligraphyforchrist.com/ ). Such beautiful religious typographic pieces actually begin not with the Gutenberg era in 1450 but with the ancient Chinese.
