How They Handle Typography: Survey of Canva, Kittl and Express

Carl Shank • April 18, 2023

How They Handle Typography: Survey of Canva, Kittl, and Adobe Express

How do some of the major quick illustration programs handle typographic challenges? First, a disclaimer. This is not an exhaustive survey of Canva, Kittl or Adobe Express. However, since I have used these three programs in illustrative purposes, I wanted to find out how they might handle a typographic challenge, namely the banner of a 1901 Calendar. I have worked with this Calendar on a separate blog ("Digitizing the Past") and you can find important information there about the Calendar's source and creators. I have also worked to some extent on Adobe Express, Kittl and more recently Canva. All three have their purposes and strengths and weaknesses in comparison with one another. This blog is not about that comparison.


I wondered how these three programs would deal with a typographic challenge presented by this old 1901 Calendar. It would only be fair to say that none of the programs, nor my professional Adobe InDesign program, was up to the challenge, since the typeface used on the Calendar was not to be found anywhere (it might be closest related to Legal Brief JNL Regular, but that's a stretch). It was most likely hand drawn letters (I would invite my readers to state and show otherwise), especially noting the elongated bottom serif on the "E" of the banner and the "R."


Some general comments in using Express, Kittl and Canva might be in order in terms of typography. First, they are not precise typographic programs. They are mostly used and have been created for non-designers to be able to draft pleasing and eye catching illustrations and designs, especially for POD tasks (Printing On Demand). Kittl especially provides some nice Victorian art and design venues for an older look. Canva has the greatest image factory with thousands of images and designs at your fingertips. Adobe Express allows Creative Cloud members such as I am to quickly draw or design something not using Photoshop's or Illustrator's many features and steep learning curves. And Premium membership is free for Creative Cloud subscribers.


Kittl, and to a lesser extent, Canva, allows the typographer to play with type in a creative and fun way. In Kittl you can twist, rotate, skewer, shade and do other special effects on type that would require much time and work in the classic design programs, like Illustrator, Photoshop and the older Freehand. I have a number of issues of that wonderful design magazine, Before & After, by John McWade, now out of print, that delighted illustrators and type designers like I am for a number of years. These three programs  are quick-draw, down-and-dirty, if I may use that phrase, programs that are sight oriented with little to no measurement or precision. What looks good or nice or playful or whatever is what they give you. Precise typesetting tools and measurements are not there, such as technical letterspacing. Small caps are often missing on the glyphs presented in the programs, though they do have many of the glyphs of a regular typeface. But, they would say that more technical programs are what are to be used by professional typesetters and layout designers, especially for typesetting.


I have provided below the Calendar challenges and what I discovered these programs, along with my trusty Adobe InDesign program, can provide. I am not an expert user of Canva, or Kittl, or Express, and I am certain that tweaking is possible with these illustration programs. You can judge for yourself. What I finally had to do to give typographic justice to the banner in the 1901 Calendar was to actually craft a typeface from the letters provided on the calendar using Fontographer.

Canva (above) and Kittl (right)

Successful Layout & Design

Typeface Characteristics: Which Type Where?

By Carl Shank • September 9, 2026
Typeface characteristics are the visual and structural features that distinguish one typeface from another. They determine a typeface’s historical appearance, readability, personality, and appropriate use. Useful Ways to Analyze Any Typeface. When examining an unfamiliar typeface, ask these questions in order (provided by ChatGPT) — Does it have serifs? What kind of serifs? How much thick/thin contrast is present? What is the stress angle? What is the x-height? How wide or narrow are the letters? How are the counters constructed? What do the terminals look like? What are distinctive letters such as a, g, e, R, and Q doing? How does the typeface behave in a paragraph—open, dark, dense, airy, mechanical, or calligraphic? What historical or technological process does its construction suggest? What personality does the combination of these characteristics produce? There are a number of online sources to help identify typefaces ( See Feb. 6, 2022 Blog for more explanation and use.) Sources include — MyFonts ( www.myfonts.com/WhatTheFont ), FontSquirrel ( www.fontsquirrel.com/matcherator ) WhtFontIs ( www.whatfontis.com ) Identifont ( www.identifont.com ) is one of the best. Here are the questions it will ask you — Does it have feet (serifs) or not (sans-serifs)? What style is the tail on uppercase Q? What style is the ampersand (the &)? Is the numeral “4” open or closed? What style of vertical line does the Dollar sign ($) have? How high is the center vertex of the uppercase M? Sit on the line or not? What type of bar does the uppercase G have? How far below the baseline does the uppercase J extend? What about the uppercase R? How far does the center bar extend? Is there a gap with the vertical part of the letter? Does it meet or cross the vertical? What about the question mark (?) What shape is the dot at the bottom? Is it circular, square, triangular, rectangular or even missing? The important point is that a typeface should not be identified by a single characteristic. Its identity comes from the interaction of serifs, contrast, stress, proportions, counters, terminals, spacing, and letterform construction.

More on Variable Fonts (2)

By Carl Shank • September 5, 2026
Google’s variable font selection includes IBM Plex Sans, Inter, Newsreader, Open Sans, Playfair Display, Express Fraunces and Roboto. FF Meta Variable is now a licensed font from Monotype (myFonts.com). Formata Variable is a demonstration only font from CARE Typography. We consider two Google Variable typefaces here — Playfair Display and Express Fraunces. Playfair Display Playfair Display is a high-contrast transitional/display serif typeface designed by Claus Eggers Sørensen and released through Google Fonts in 2011. It was designed primarily for large display sizes, especially headlines, titles, and editorial typography. Its appearance draws inspiration from the late eighteenth-century transition from traditional broad-nib writing toward pointed steel pens, as well as from the elegant typefaces associated with the European Enlightenment and neoclassical period. Playfair Display is a contemporary high-contrast serif designed primarily for display typography. Its visual ancestry lies in the 18th-century transitional period, particularly the movement from broad-nib calligraphic forms toward the sharper, more vertical forms that ultimately produced Didot and Bodoni.
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