Converting PageMaker to InDesign

Carl Shank • January 15, 2021

How to Convert PageMaker Files to InDesign Files

To some users with  legacy PageMaker files, converting  them  to Adobe InDesign files has been a challenge. Adobe Systems Incorporated stopped shipping or updating PageMaker files for a number of years. They moved on to InDesign programming and layout. Aldus PageMaker 3 for Macintosh and Windows was shipped in 1988. Aldus PageMaker 4 for Macintosh was released in 1990, with the Windows version in 1991, and offered new word-processing capabilities, expanded typographic controls, and enhanced features for handling long documents.


Aldus PageMaker 5.0 was released in January 1993. Aldus was purchased by Adobe Systems who took over the upgrades and further enhancements. Adobe PageMaker 6.0 was released in 1995, and Adobe PageMaker 6.5 was released in 1996.


Support for versions 4.0, 5.0, 6.0, and 6.5 is no longer offered through the official Adobe support system. This poses substantial problems for users who have works authored in these legacy versions.


The final version made available is PageMaker 7.0, released in 2001, though updates have been released for the two supported platforms since.


The Macintosh version runs only in Mac OS 9 or earlier; there is no native support for Mac OS X, and it does not run at all on Intel-based Macs. It does not run well under Classic, and Adobe recommends that customers use an older Macintosh capable of booting into Mac OS 9. The Windows version supports Windows XP and a few other Windows versions.


As Adobe migrated users to its new InDesign format released in 2001, versions 1 through CS6 had their fair share of adoption issues and compatibility problems. Newer versions of InDesign can read older InDesign versions, but they are not backwards compatible. InDesign CS6 can read only PageMaker 6.5 files. Consequently, users who now have InDesign CC series cannot read older PageMaker files at all. Thus, the need for this service.


What We Can Do For You

PageMaker 3 – 5 to InDesign ($15 per file) (Macintosh)

Specify the InDesign format to what you want to transfer your files. We offer InDesign CS – CS6 and InDesign CC. To transfer these older PM files to newer InDesign files (InDesign CS6 and beyond) requires first transferring them to PageMaker 6.5 files. Our goal is to keep your formatting and fonts in place. If we cannot do this, we will let you know before the transfer takes place.


PageMaker 6.x to InDesign ($15 per file) (Macintosh)

Specify the InDesign format to what you want to transfer your files. We offer InDesign CS – CS6 and InDesign CC. Our goal is to keep your formatting and fonts in place. If we cannot do this, we will let you know before the transfer takes place.


PageMaker 6.5 or 7 to InDesign CS ($15 per file) (Windows)

We also offer a Windows based transfer system for PageMaker 6 or later files to InDesign CS. 


We own the legal rights to the use of this software. All of the software used has a valid Adobe serial number. We have been using this software since its inception to the Macintosh or Windows platforms.

Successful Layout & Design

Linotype's Party Emblems in 1920

By Carl Shank • July 29, 2026
Linotype's Party Emblems in 1920 . Type follows and often mimics cultural fashions and ideas. Consequently, Victorian type flowed with the ornamentation of that period. Punk and Grunge type traced with a rebellious period in American culture. The political landscape of the 1920s was shaped by the aftermath of World War I, economic prosperity, social change, and debates over the role of government. While the specific parties differed by country, the decade is most often discussed in terms of the United States, where the Republican Party dominated national politics. Being a major typesetter for the period, Linotype issued characters that reflected the political parties and feelings of the times. Such type emblems showed up in their 1920 publication of One Line Specimens .

The Legibility Group

By Carl Shank • July 29, 2026
The Legibility Group . This group of typefaces comes from the the Mergenthaler Linotype Company, a company founded in the United States in 1886 to market the Linotype machine, a system to cast metal type in lines (linecaster) invented by Ottmar Mergenthaler. The company became the world's leading manufacturer of newspaper and book typesetting equipment. The Legibility Group is a series of serif typefaces intended for use in newspapers on Linotype's hot metal typesetting system. They were developed in-house by Linotype's design team, led by Chauncey H. Griffith and released from 1925, when the first member, Ionic No. 5, appeared. The family became a large group due to the creation of slightly different designs for different printing conditions, such as levels of inking used in different newspaper production processes and versions with different x-heights. It consisted of Ionic No. 5, Textype, Excelsior, Opticon, Paragon and Corona. Although not part of the family, Linotype marketed its sans-serif family Metro and slab serif face Memphis as effective complements for headings.
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