All About Hard Drives

Carl Shank • September 13, 2022

All About Hard Drives. A Primer. What is a hard drive and why do you need it? In every computer there is a storage space, called a hard drive. The main hard drive of your computer stores the operating system for your computer as well as files of data, photos, videos, and other work and play and home files. Most drives have matured over the years through technology, by getting smaller, lighter, more efficient and durable, in many cases, their basic operating structure has also radically changed. There are four basic hard drives — PATA (IDE) drives, SATA drives, SSD drives and NVMe drives.


PATA drive. Also known as IDE or EIDE drives, these are the older drives that used to run especially desktop computers.The initials "ATA" stand for Advanced Technology Attachment and PATA means Parallel Advanced Technology Attachment. These were mostly designed by Western Digital. Western Digital, Seagate and other familiar names are on them. They come in two sizes, a 3.5 inch drive and a 2.5 inch drive for laptops. Actually, the 3.5 inch is dimensionally, 4 x 5.75 x 1, but  the innards are 3.5 in across. The drive has a spinning platter inside with an electronic needle that moves across the platter as you are writing and reading data from your computer. It looks like a CD (remember those?) These drives have on the outside mostly a 40-pin connector with an additional 6 or 8 dual pin combination to tell the computer if the drive is a "master" or a "slave" to another drive on the computer. (See Example Below). As you can imagine, as data is written on the drive platter, the data can become scattered or "fragmented," and often for faster drive access and use, we need to "defragment" them. They are generally the slowest of all drives, reading and writing at up to 100 or 133 MB per second, which may seem fast, but is fairly slow according to modern standards. The larger the drive, the slower the access.


SATA drive. These are  the daughter of PATA drives and is what are used in most computers today. They are faster than PATA drives, and can read and write up to 16 GB per second, as contrasted with up to 133 MB per second with PATA. SATA attachment cables are also longer than the maximum 18 inch cable with PATA and therefore can be placed within the computer frame at a more convenient place. SATA offers two connection points, one to the drive and the other to the motherboard of the computer. Again, data is written to a moving platter and therefore can become fragmented over time. They are generally less expensive than the drives that followed them. SATA drives can be purchased in large storage sizes. (See Examples Below)


SSD drive. SSD stands for Solid State Drive. These drives have no moving parts and all data is stored on non-volatile memory chips. These drive can be anywhere from 120 GB to over 2 GB in size. These drives are the preferable 2.5 inch drives found in laptops and since they have no moving parts can withstand shocks much better. They are more expensive, perhaps two to four times as much as regular SATA drives. The connection is still a SATA connection to your computer. (See Examples Below)


NVMe drive. Released in 2013, NVMe drives (Non-Volatile Memory Express) are usually attached to a PCI Express (PCIe) slot on the main board of your computer. They are incredibly fast drives with read and write speeds of 32 GB per second and upwards. They are mostly used for gaming and high resolution video editing on the computer. They are very expensive and used for high end work. (See Examples Below)


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Type After Gutenberg: A Historical Sketch

By Carl Shank • November 8, 2025
What Happened to Type After Gutenberg? A Brief Historical Sketch from 1460-1640 At the end of the 15th century, German printing was at the forefront of a revolutionary transformation in Europe, driven by the invention of the movable-type printing press by Johannes Gutenberg in the mid-15th century. This development had a profound impact on culture, education, and the dissemination of knowledge. By the end of the century, Germany had become one of the key centers of printing in Europe, particularly in cities like Mainz, Nuremberg, and Augsburg. Books printed before 1501 are referred to as incunabula. German printers produced a significant portion of the incunabula, with many focusing on religious texts such as the Bible, liturgical works, and theological treatises. Secular works, including classical texts, legal documents, and scientific works, also gained prominence towards the end of the century. German printers played a key role in developing early typefaces. One of the most popular was Blackletter (also called Gothic script or Fraktur), which dominated printed works in Germany during this period. The dense and elaborate script was particularly suited to religious and formal texts. By 1500, there were over 1,000 printers operating in various German cities, making Germany a leading hub for the printing industry. Notable printing centers included: Mainz—The birthplace of Gutenberg’s press; Nuremberg — An important center for both printing and intellectual activity; and, Augsburg—A commercial and printing hub. What is often lost in typographical history in the years closely following Gutenberg are the important printers and typographers in Germany, Italy, Switzerland, France, the Netherlands, Spain, England, Austria, Sweden, Holland, Denmark, Scotland, Mexico, Ireland and the United States who furthered the cause of typography and printed works. This Blog serves as a historical sketch of a number of these important people.

Theology of Type (3): The Twentieth Century (Part 2)

By Carl Shank • November 1, 2025
SWISS TYPE BEAUTY DESIGNERS LIKE JAN TSCHICHOLD were foundational to many of the Swiss design principles. This style evolved from Constructivist, De Stijl and Bauhaus design principles, particularly the ideas of grid systems, sans-serif type and minimalism. Emerging in Switzerland during the 1940s and 1950s, this typography, also known as the International Typographic Style, directly responded to the type chaos of Dada and the stylization of Art Deco. The Swiss style emphasized readability, visual harmony and universality. Clarity, objectivity and functionality were key components. Contributors included Max Miedinger, creator of the Helvetica typeface and Adrian Frutiger, creator of the Univers typeface, both in 1957. The Journey of Helvetica We all use Helvetica. In fact, some say it has been overused through modern years. Helvetica derives its powerful simplicity and display qualities from the 1896 typeface Akzidenz-Grotesk. “The design originates from Royal Grotesk light by Ferdinand Theinhardt who also supplied the regular, medium and bold weights. Throughout the years, Berthold has expanded this extremely popular and versatile family. AG Super was developed in 1968 by Günter Gerhard Lange and is an excellent choice for headlines. In 2001, Günter Gerhard Lange added more weights for Berthold including Super Italic and Extra Bold italic.”[1] “Helvetica is a twentieth-century Swiss revision of a late nineteenth­ century German Realist face. The first weights were drawn in 1956 by Max Miedinger, based on the Berthold Foundry’s old Odd-job Sans-serif, or Akzidenz Grotesk, as it is called in German. The heavy, unmodulated line and tiny aperture evoke an image of uncultivated strength, force and persistence. The very light weights issued in recent years have done much to reduce Helvetica’s coarseness but little to increase its readability.”[2]
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