Slashes & Dashes

Carl Shank • September 7, 2022

Slashes & Dashes. In old typewriter days, we used a stoke (-) for a hyphen and a double stroke (--) for a dash. Those days are gone. The typewriter has given way to computer keyboards and word or layout programs. And so, it is appropriate that we discuss the three commonly used dashes in the computer and layout world — the em-dash, the en-dash, the hyphen. There are other kinds of dashes, such as the subtraction dash, which may or may not be the same length as the en-dash, and the figure dash (equal to the width of a standard numeral).


The shortest in length of the three, the hyphen is used to divide words that break at end of lines, or to connect compound words, such as non-believer. It is easily found on the keyboard to the right of the numeral zero. The longest of the three, the em-dash (— [Shift + option + - on a Mac]) is used in sentences that involve a break in thought or action, such as "There were the days—actually seeming longer than most—that tried men's souls."


The mid-sized en-dash is often used to indicate a range of values or a span of time or numerical quantities, such as 9–5 or Wednesday–Friday, similar to using the words "to" or "from." However, a figure dash may be more pleasing to the eye in numerical quantities. (See Sample Below) Bringhurst notes — "The hyphen is too short to serve this function, and in some faces the en dash (which is tradition­ally prescribed) appears too long. A three-to-em (M/3) dash is often the best choice. Three-to-em dashes are missing from many type fonts, but they are easily made on digital equipment, by condensing or shortening an en dash.") (Robert Bringhurst, The Elements of Typographic Style, Hartley & Marks, 1992, 78)


Normally, there is no space break between the beginning and the end of an em-dash. However, in some quarters, it is thought that a small space or even a regular space at the beginning and end of an em-dash makes the text more readable and flows better. And others prefer to use en-dashes instead of the longer em-dashes in a book or document. The key is always consistency of use, whatever dashes are used with whatever spacing. Whatever we do, we need to avoid the double hyphen approach (--) when seeking to use a dash in a sentence or phrase. The old typewriter days are gone and should be gone in our writing and typesetting.

Successful Layout & Design

Puritan Typography

By Carl Shank • May 15, 2026
Puritan Typography Theology Informing Type “Creational realities have not spilled out randomly without purpose; rather, they reflect the wisdom, design, and intention of the good God who made them. It’s our job, then, to observe and learn. . . . And indeed, long before [Jonathan] Edwards began to keep his notebook of earthly pointers to heavenly truths, the seventeenth-century English Puritans were writing lengthy volumes organized around exactly this sort of principle.”[1] “The Puritans were a group of ministers and laypeople within the Church of England who sought to promote Reformed and experiential piety while striving to purify the national church from Roman Catholic influences in doctrine and worship, beginning during the Elizabethan era and continuing as a powerful force until the early eighteenth century. More broadly defined, the Puritan movement included those who were firmly within the Reformed and experiential tradition that flourished not only in sixteenth- and seventeenth-century England, but also well into the eighteenth century north of Hadrian’s Wall (among the Scottish Presbyterians), across the North Sea (among the Dutch Further Reformation divines), and across the Atlantic Ocean (among the New England Puritans and eighteenth-century evangelicals).” [2] Puritan typography flows from Puritan theology. The English Puritans of the sixteenth and seventeenth centuries inherited a typographic world shaped by the late Renaissance, the Reformation, and early modern printing. Their type styles were not merely aesthetic choices. Rather, they reflected theology, scholarship, readability, economy, and cultural identity.

King James Bible Typography

By Carl Shank • April 7, 2026
The King James Bible (KJV), commissioned by King James 1 in 1604 and published in 1611, has been a profound Bible translation and masterpiece of beauty through the ages. It has been one of the most influential English translations of the Bible. Its history combines politics, religion, and literary achievement in early modern England. It has an elevated, poetic style that influenced many later writers. It has been prized for its literary beauty, historical continuity and memorability in public reading and worship (ChatGPT).
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