Old Bible Typography Versals

Carl Shank • April 19, 2024

My wife and I took a trip to Washington, D.C. to the Museum of the Bible. This is an amazing place with collections of Bible history, Bible characters and Bible applications for the interested viewer. We especially toured the fourth floor that contains more than 600 artifacts and 50 media programs introducing us to the Bible's history, from handwritten scrolls to mobile devices.


As a theologian and typographer, I was interested in not merely the history of the printed Word of God, but also how it was printed through the ages. I was especially fascinated by the delicate and intricate versals, those opening letters and flourishes to the printing. I have gathered a number of the versals and cleaned them up using Adobe Photoshop for display.



The pages below contains some of the oldest versals used in Bible typography and printing. They are historically valuable and worth our time and effort in viewing and understanding. Enjoy them!

Successful Layout & Design

By Carl Shank May 13, 2025
Font Restoration Mechanics. Let me begin by giving an example from the world of theology, my first love and profession. Many people, even many non-Christian people, know that we are saved “by faith.” But faith in what or who? Well, faith in God. But this is imprecise. It is faith in Jesus Christ the Bible tells us. But once again, this too can be mistaken as just an intellectual nod of the mind toward Jesus without a real life change or transformation. More detailed biblical discussion, with appropriate distinctions, must be made so that we don’t make “faith” a human, works-based activity we do to please God. Or some existential “experience” with no definable qualities. Digging even deeper, faith saves no one, though it is absolutely necessary for salvation. It is Jesus Christ who saves. Faith becomes an “instrument” of salvation. Theologians have been unpacking this salvation “by faith alone” for centuries. Books and “how-to” sermons have been written and preached and taught here. Do you see the tremendous amount of refinement that “faith” requires? Precise typography claims similar distinctions and refinements in letter development and typeface creation. CARE Typography has been able to restore older hand-drawn fonts from various sources to modern digital typefaces. One of those most prolific sources has been from Alphabets Old and New — For The Use of Craftsmen, With An Introductory Essay on ‘Art in the Alphabet’” by Lewis F. Day, London, 1910.There is a wealth of older fonts shown by Day, one of them being a Roman Forum font from an old Roman Forum engraving. It might be thought that to copy and paste the letters and import them into a font design program, like FontLab’s Fontographer, is simple and rather straight-forward. Not so. From a font designer’s work, the transfer from a screenshot of an old book to a clear and professional open type font (SEE my Blog on “Open Type Fonts” in “More About Fonts” March 9, 2021) takes care and lots of work. It is both tedious and time intensive. The details of such work are often overlooked. Here’s an inside look at such work.
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