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A Helpful Font Chart

Carl Shank • Oct 05, 2022

There happen to be a number of ways to classify fonts. Some of them make more sense to me than others, though I would hasten to point out I am no professional typographer. Robert Bringhurst in his masterful book, The Elements of Typographic Style, Hartley & Marks, 1992 edition, chooses categories consequent with historical periods of fine art, thus, Scribal or Carolingian, Renaissance, Mannerist, Baroque, Rococo, Neoclassical, Romantic, Realist, Geometric Modernism, Expressionist, Elegiac Post-Modernism, Geometric Post-Modernism.(1) Thomas Phinney's classifications taught in most design schools include: Old Style, Transitional, Modern, Slab Serif (or Egyptian), fat faces, wood type, Art Nouveau, Art Deco, synthesis, and grunge.(2) David Bergsland, from which I adapted the following chart and its descriptors, reduces the families to: Serif, Sans-Serif, Script and Decorative. Again, that is not all there is to the many fonts out there, but it is a good start.


The chart below gives a graphic representation of Bergsland's system of classification, along with some of my additional notes. Enjoy!


(1) Bergsland, David. Practical Font Design With FontLab 5 (pp. 217). Radiqx Press. Kindle Edition. (2) Ibid, p. 219.

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Typography Pictorial History

By Carl Shank • 15 May, 2024
Typography Pictorial History. Typography has a rich and fascinating history that spans centuries, evolving alongside the development of writing systems, printing technologies, and artistic movements. Throughout this rich history, typography has evolved from a functional necessity to a sophisticated art form, reflecting cultural, technological, and artistic movements. Today, typography continues to play a crucial role in visual communication, shaping the way we perceive and interact with information. Here's an overview of the history of typography.

Old Bible Typography Versals

By Carl Shank • 19 Apr, 2024
My wife and I took a trip to Washington, D.C. to the Museum of the Bible. This is an amazing place with collections of Bible history, Bible characters and Bible applications for the interested viewer. We especially toured the fourth floor that contains more than 600 artifacts and 50 media programs introducing us to the Bible's history, from handwritten scrolls to mobile devices. As a theologian and typographer, I was interested in not merely the history of the printed Word of God, but also how it was printed through the ages. I was especially fascinated by the delicate and intricate versals, those opening letters and flourishes to the printing. I have gathered a number of the versals and cleaned them up using Adobe Photoshop for display.  The pages below contains some of the oldest versals used in Bible typography and printing. They are historically valuable and worth our time and effort in viewing and understanding. Enjoy them!
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